The whole record starts off with a distinctive rhythmic figure stated by Carol's bass, which returns in measure 3. She does a two-fret downward slide into the first verse. The bass instantly locks with the bass drum, making occasional fills on the fourth beat (measures 8, 10 and 11) to not interfere with Glenn's vocals and then doing another two-fret slide into the chorus.
The chorus sees Carol in a more subdued mode, outlining the harmony with a chromatically descending bass line and measure 16s rhythmically unison figure.
Carol then lays down whole notes behind the "morse-code" guitar of the interlude.
Verse 2 opens with a re-stating of the intro bass fill and then follows along the lines of the first verse.
What follows is the chorus, opening with a killer fill in measure 29 and then going into the descending line.
My transcription then abondons the bass line in favor of the solo, played by Campbell on Carols Fender Bass VI. If you want to keep holding down the bottom it's the same chords as the verse but I think it's more fun stepping out. Dial up a plunky tone and stomp on a tremolo effect for the best result. The solo is basically stating the verse melody in the bass octaveand adding some cool quarter triplets and a cool polyrhythmic sounding line in measure 42.
This is an incomplete transcriptions, but the are no other segments I've left out. The song only returns to parts we've already seen. I'll complete it someday.
Thoughts or feedback? Drop me a line in the comments.